祼

在香港，擁擠像一種被默許的生存條件。
生活從早期徙置區外溢於走廊，隨住宅標準化逐步被推回室內，最終附著在家具、動線與身體之間。劏房正是這種壓縮的極端狀態。
作品從一個真實現象出發：兩個互不相識的人，共同生活在原屬一個家庭尺度的單位裡，
於日夜交替中輪流使用空間，也在某些時刻無可避免地重疊彼此的生活。
透過框架、浴簾與衣物，我試圖呈現可打開的邊界、時間性的空間邊界，以及時刻的空間完整性。
這不是對壓縮居住的解答，而是對其被合理化現況的反諷，讓那些被遮蔽卻持續發生的生活痕跡重新被看見。
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In Hong Kong, congestion operates as an accepted condition of survival.
What once overflowed into corridors in early resettlement housing was
gradually pushed indoors through standardization, eventually attaching itself
to furniture, circulation, and the body. Subdivided flats mark an extreme
condition of this compression. The project begins with a real situation: two
strangers inhabiting a room originally intended for a single family, alternating
their routines between day and night while inevitably overlapping at certain
moments. Through a framework, curtains, and hanging clothes, the work
explores operable boundaries, temporal spatial boundaries, and momentary
spatial wholeness. Rather than offering a solution, it acts as an irony of
normalized compressed living, making visible the traces of life that remain
concealed yet persist.