過港的時間記錄器

過港的時間記錄器

Time recorder of Guogang

有別於城市流於表象的飛快步伐，西部沿海的聚落，總是用一種慢步調生活著。他們是台灣移民史的縮影，也是容易被遺忘的故事，他們在此只為與山與海一同生存。然而當這些看似不變的事物，因為人口流失、觀光、電廠的介入，讓現狀開始產生快速、且表象的接觸經驗，使得人們漸漸停留在斷裂的片段當中，而這些經驗不斷複製在整個西部沿海聚落當中，沖淡了每一處獨有的場域特質。

當下或許已經無法逆轉與重來，那我們該如何用建築重新構築現有的事物，讓沿海的土地不會被遺忘，是我對畢業設計的提問。

透過觀察苗栗後龍過港庄，利用時間切片的方式將過港庄的歷史脈絡分為六個不同的時代，分析後提取各個時代獨有的時代精神，將這些時代精神化作一個個不同的空間，將其放置在與之相對應的點位，藉此延長人們在此的時間。最後透過觸發不同的路徑、時間紀錄裝置，重啟居民、旅客對過港這片土地的認知與想像，讓人們重新體會過港這塊地所要訴說的故事。

Different from the rapid pace of the city, the settlements along the western coast always live at a slow pace. They are the epitome of Taiwan’s immigration history, and they are also easily forgotten stories. They are here only to survive with the mountains and the sea. However, when these seemingly unchanging things, due to population loss, sightseeing, and the intervention of power plants, the status quo began to produce rapid and apparent contact experiences, making people gradually stay in fragments of fractures, and these experiences continue to be replicated throughout the west. Among the coastal settlements, each unique field characteristic is diluted.

The present may be irreversible, so how do we use buildings to rebuild existing things so that the coastal land will not be forgotten? This is my question about the graduation project.

By observing Guogang, i make the historical context of Guogang has been divided into six different eras by means of time slicing. After analysis, the unique zeitgeist of each era is extracted, and these epoch spirits are transformed into different ones. Space, place it at the corresponding point, so as to extend people’s time here. Finally, by triggering different path and time recording devices, the residents and travelers’ knowledge and imagination of the land passing through Guogang will be restarted, allowing people to re-experience the story to be told when passing through Guogang.