Stop Motion Animation village

廢墟(ruins)是某種物質記憶，從原有的空間行為到荒廢的過程，留下原有的空間痕跡。像一種超現實的時光膠囊，包裹著大量的想像、猜忌、謠言，彷彿成為了進入不存在想像/超現實的入口。從基地特性討論定格動畫工作者和建築模型空間操作擁有的共通性，將其建構在台灣完整的動畫產業背景下，並利用建築空間重新組構出全新對於動畫產業的想像。

The ruins is a sort of physical memory, it constructs at different time points, the process of the deserted from the original space behavior, leaving the original space traces. As time goes on, naturally added in the forgotten downtown desolate, art, even terror of the ingredients, a surreal time capsule, wrapped a lot of imagination, suspicion, rumor, as if to enter an imagination entrance  that is not exist. I would like to discuss the common between the stop motion workers and space operation of architecture models, to construct it under the whole animation industry in Taiwan, to find and discuss from the characteristic base, and make use of the architecture room to rebuild a new imagination of the animation industry.