線的重量：觀看與空間的生成

我始終沒有回到那個夢裡。
我起初以為只要不斷靠近它，就能找到那個被記住的畫面。
那條線在一次次被切割、被觀看、被排列、被放入空間、被材料承載、被帶進世界之後，早已變成另一種東西，它逐漸偏離了夢中的模樣。
它開始擁有尺度、重量與位置，也開始與空間、與他者、與世界產生關係。這些創作或許從來不是找到夢的答案，
而是在一次次觀看與實驗之中，理解線如何在現實之中持續生成關係。
夢中的感受無法被重現，但那些在線、空間與身體之間發生過的經驗，依然被保留了下來。它們都留下了一
件相同的事情：
一種無法被完全說明，卻能被身體記住的狀態。
–
I never returned to that dream.
I once believed that by moving closer and closer to it, I might rediscover the image that had
remained in my memory. Through being cut, observed, arranged, placed into space, carried by
materials, and brought into the world, the line gradually became something else. It drifted away
from its original form in the dream.It began to acquire scale, weight, and position. It entered into
relationships with space, with others, and with the world around it.Perhaps these works were never
about finding an answer to the dream. Instead, they became a way of understanding how a line
continuously generates relationships through acts of viewing, making, and inhabiting reality.The
feeling from the dream can never be reproduced. Yet the experiences that emerged between line,
space, and body remain.They all preserve the same thing:
a state that cannot be fully explained, yet remains remembered by the body.