權勢的真實-竊竊私語的教堂

「城市沒有說謊，打從一開始，他就告訴你人生無常。」─《城

市的憂鬱》

這樣變幻莫測代表「失真的城市」，對於不同人物來說意義

各不相同。如寫日記般，真實世界裡的、日記裡的、讀日記的，

都是我但都不是完整的我。文字如介面，我們在記憶與情

緒中解構自己，空間也如情緒，那柔軟事件隔著一層層的

面紗，觀者因此產生了詮釋與對話。

空間是生活的容器，被看不見的變因影響，而你試圖在竊

竊私語的教堂裡，找到「最貼近」你的那件事情。

“The city is not lying. From the beginning, he will tell you that 

life is impermanent.” – “The Melancholy of the City”

This unpredictable representation of the “distorted city” has 

different meanings for different people. As in the case of a 

diary, the real world, the diary, and the diary are all me, but 

they are not complete. Words, such as interfaces, we 

deconstruct ourselves in memory and emotions, and space 

is like emotions. The soft events are separated by layers of 

veil, and the viewers thus interpret and interpret.

Space is the container of life, influenced by invisible causes, 

and you try to find the “closest” thing in the whispering church.