散場的留白 : 櫟園森陵

莊子在《人間世》以櫟樹為隱喻，提出超越「有用」的概

念為「無用之用」，是一種隱性的存有與抵抗，而無用的佔

據形成留白。

以戲院作為閱讀都市的方法，衰敗廢棄的戲院成為都市中

留白的座標。墓園為負空間則被排擠到都市的邊緣，戲院

與墓園在「使用」的光譜兩端，也同是人們最重要的記憶

場所。

畢業設計討論無用的建築如何留白，並保有自身的抵抗力

來面對取代的現實。

 

Zhuangzi had a metaphor of an oak tree,expounded that the 

using of the useless and the uselessness of the used. The 

using of the useless is a concept of recessive being and

resistance,the uselessness occupied and became a vacant  

space. Nature grows and dissipates, yet the endless nature 

become useless occupation; The useless space go beyond 

the time of use. simultaneously its beauty becomes eternity

and memory. By observing and mapping the transition and  

the decay of the theaters in different periods of Taichung city, 

the vacant spaces shaped after those theaters were 

abandoned. On the other hand, cemetery as a negative 

space generally appears at the edge of the city. Theater and 

cemetery are at both ends of the “use”,but both o

are the most important place for people to memorize. 

My thesis design is about how to keep a useless

vacant simultaneously give it a self resistance to face the place reality of replacement.