記憶與預言 -建構在城市紋理下的都會系統與在地文化

我一開始是對“胡寒爾的時間邊緣

域”

感興趣，他認為持留和前展是

構成現在的動態時間場，過去和末

來不應該是斷裂分離的；但是城市

發展往往都是以網格方法作規劃

追求快速與便利，造成城市呈現

個與過去、末來斷裂的狀態•這種

情況在亞洲殖民國家又更為嚴重；

我的目標則是要創造一個消溺時空

的城市，著重的是城市的脈落與文

化。於是我運用不同尺度與時閰軸

來觀察台北的都會發展狀況，最

後選定捷運龍山寺站作為我的設計

基地，並藉由其背景的獨特性，

戲院、捷運與市場三者之間的關

係，利用“時間的倒敘，重新預言

末來〞

• 實踐上述的設計想法。

I am interested in “Husserl’ s temporal horizon” at first. He

believes “retention” and “protention” constituting the dy-

namic-temporal field. Past and future should not be separated

But the Urban design often uses the grid method for planning

and pursuits of progress and convenience that separate the

city’s past and future. This situation is more serious in colonial

countries in Asia. My goal is to create a city without constraints

of time and focus on the city’ s context and culture. I use dif-

ferent scales and timelines to observe Taipei metropolitan’

development by choosing MRT Longshan Temple station as

my design site. Based on its special relationships among the

theater, MRT and the markets, I rewind the time back to re-pre-

dict the future, in order to practice the above design ideas.