“紙”對我、對建築人也許是一種非常迷幻的材料。
它的柔軟、輕盈、易塑性，幫助我們打造了一切的設計構想，無論是從概念模到了圖紙，
還是小時候去隔壁柑仔店要紙箱，在車庫打造的秘密基地，
它就像《探險活寶》的老皮，能變為一切想要的東西。哈
《當我們開始面對凋零》這是一個紙建築構造提案，探索者失去一切後，在資源限制下的建築。
而建築作為臨時庇護的角色，在逃離災難後轉換為一種即將逝去、開始凋零、匱乏的紀念性建築。
靈感來自電影《 Herself 》—在逃離受迫和的關係後，如何在經濟、資源拮据的狀態下，重建生活與建築。
以及坂茂（Shigeru Ban）認為如果建築是為了災後重建或短期展覽而生，那麼它就不該造成環境負擔，並淡然離場。
最後，透過數位運算與機械手臂製造，試圖思考材料如何透過本身性質被設計、被計算、被製造、被構築、被瓦解。
–
Here is a fluent and professional English translation that captures both the poetic, personal tone of
your introduction and the academic depth of your architectural proposal:
To me, and perhaps to all architects, paper is a truly mesmerizing material. Its softness, lightness,
and malleability help us give form to all our design concepts. Whether it is moving from
conceptual models to blueprints, or recalling childhood memories of begging for cardboard boxes
at the local grocery store to build a secret base in the garage, paper is just like Jake the Dog from
Adventure Time—it can morph into absolutely anything we desire. Haha.
" The Architecture of Withering: A Paper Tectonic Manual " is a proposal for a paper tectonic
system. It explores architecture under severe resource constraints in the wake of losing everything.
Initially serving as a temporary shelter after fleeing a disaster, the architecture eventually
transforms into a fleeting, withering, and scarce monumental structure.
The inspiration stems from the film Herself—which explores how to rebuild one's life and home
in a state of economic and resource scarcity after escaping an abusive relationship. It is also deeply
influenced by the philosophy of Shigeru Ban: if architecture is created for post-disaster
reconstruction or short-term exhibitions, it should not leave an environmental burden, but rather,
gracefully fade away.
Ultimately, through digital computation and robotic fabrication, this project seeks to rethink how a
material—driven by its inherent physical properties—can be designed, calculated, fabricated,
constructed, and eventually, disintegrated.
