Enacting commemoration as a process as displacement
台灣 / taiwan
陳彥蓉 / Ien-Jung Chen
如果建築有生命,這將是一座殺戮都市。
被棄。於是這些組構一座城市百年風華的血與肉,伴隨記
憶與光景,在一次次謊言般的遷移記事裡被偷偷置換掉,
徒留歷史的斷臂。最後的最後,我們麻木與這城市的不公
不義握手言和,與你一起自欺欺人。
如果建築有生命,這將是一座華靡得與廢墟無異的死城。
那年,我拾起一片殘肢,植於荒蕪的孤島。
這裡匯聚著被城市遺棄的種種人事物,
雙城的記憶轉譯站,
歷史建築的墳墓與重生地,
邁向後福特主義的始點。
這裡是台北島。
During 40 years of urban expansion, there was 42 cultural
heritage had been destroyed in Taipei. The devastation of
cultural heritage was very sudden, that we can’t even realize
what we had lost. To arise people’s attention,I wrote down
a manifesto ,a prophecy that occur on an fragile island
called Taipei island. Due to its isolation and fragility, it i
one of the rare unurbanized area in Taipei.I displace
abandoned culture heritage from city to island, facing
natural forces, those wreckage rotten more quickly, enact
people to commemorate the conflict between preservation
and urbanization.
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